In this lesson you'll learn 5 licks from his amazing Sunny solo + 2 dominant licks + 3 minor licks over Am7. Sunny was performed and recorded by hundreds of artists, including Marvin Gaye, Stevie Wonder, James Brown, and Shirley Bassey. As well, there is a repeated melodic phrase used in this line, combining two of Martino’s favorite concepts for building energy in his improvised lines. [7], All compositions by Pat Martino except as indicated, "Into the Head and Heart: An Interview with jazz guitarist Pat Martino",!&oldid=961967408, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 June 2020, at 10:43. In this lick, you’ll work on a mixture of arpeggios and scale notes as you outline the changes over the tune Sunny. As someone who is more of a rock guitar player who dabbles in jazz, I’ve always found it easier to visualize a minor 7th arpeggio with the “blues notes” in Dorian.
THE JAZZ GUITAR CHORD DICTIONARY (FREE eBOOK). [6] His music works magic on the listeners and the composers alike as it is marked by the five T’s – tone, time, technique, touch, and taste. This line moves from the 5th to 3rd position and utilizes 2 slurs and a slide. In this first Pat Martino lick, you’ll see a number of quintessential Martino concepts throughout the phrase: Apart from the bebop influence at the end of this Pat Martino lick, you’ll see a repeated melodic phrase repeated throughout the first five and a half bars of the line. A pattern Pat uses a lot is 1, b3, 4, b5, 5, b7, 1, b3, 5, 6(13). You can see two and three-note shapes being used in this line to create energy throughout the phrase. (1972) because of the amazing solo that spans nearly 5 minutes. Well worth several listens". If you are interested in Pat’s playing, then owning and studying the soloing concepts in this book is essential. Hector came to our attention via one of our JGT contributors – thanks John Stowell! Enjoy Artist of the Week, Frank’s Stash (of Guitars…) The Original ‘Benny’ by Benedetto, Kurt Rosenwinkel: Pushing the Boundaries of Modern Jazz Guitar, Helpful Tips with the Great Duke Ellington Tune, “I Got it Bad (and That Ain’t Good)”, Copyright © 2020 Jazz Guitar Today All rights reserved. Hector Manuel Quintana, Artist of the Week. After logging in you can close it and return to this page. To my surprise, a good many people were not aware of his condition and his fundraiser with GoFundMe! Bob Bakert, JGT Editor: I got to know Pat Martino’s longtime manager, producer Joe Donofrio while working on the cover story we did on Pat … He has proved to the music buffs and musicians that he is no short of a legend, an inspiration to followers of any genre. [1][2], Allmusic awarded the album 4½ stars stating "Martino performs music that falls between advanced hard bop, fusion and the avant-garde without really fitting into any of the genres. When working on double stops on your own, you can take them from arpeggios, minor pentatonic scales, or modes in your solos. There are so many stories and moments to talk about, that we always have a moment to reminisce, especially about his young life on the road with the older musicians. I asked Joe to write me an email that I could share. I talk to Pat almost every day and as always he is centered and motivated by life itself.   There is also an Em7 arpeggio in the last four notes of the phrase, which highlights the 5-b7-9-11 of the underlying Am7 chord. [5] Pat Martino has been also referred to as a man who had to struggle to survive because of his health problem that threatened his outstanding career. These are difficult times no doubt but if you have the means please consider a donation.
You’ll notice diatonic arpeggios being used in the following ways: As you can see, there are some arpeggios that outline the direct chord that Pat’s soloing over, while others are subs that come from the related key center. Copyright Jazz Guitar Online 2020 © All rights Reserved.

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